This week's Thoughts on:
In Smoke and
Mirrors we’re treated to a collection of short stories Gaiman compiled at
the behest of editors, literary agents, friends, and of course, the leadings of
his own personal muse, inspired as it clearly is by various events from his
life.
Having now read it, I can appreciate why he’s such a
fountainhead of creativity.
The introduction near the beginning explaining how
each story came about helps you appreciate the diversity and scope of his ingenuity.
I mean, who else do you know of who could devise a witty and enchanting tale
about the Holy Grail, triggered by an academic paper of feminist language
theory and its comparison/contrast to chivalry?
Seriously!
It’s like me phoning you up out of the blue and saying,
“Write me a scary story about a light bulb.” Then the next day, “I want one
about a sock that never smells of cheese.” Or “Give me something sexy on the
subject of global warming.”
Somehow, Gaiman does this. He takes a smorgasbord of
eclectic and incongruous subjects, and blends them together into a collection
that reeks of mad scientist genius, while remaining quintessentially English
enough that you can forgive his eccentricity. The whole book is a rollercoaster
ride of the strangely ethereal; the repulsively perverse; the sadly melancholy;
and the spine-tinglingly personal – “it’s behind you” noir déjà vu.
Bizarre. Scary. Humorous. Chilling. Smoke and Mirrors gives us a startling
insight into the mind of a storytelling maestro. The perfect recipe for a spot
of light reading.
As many people who know me understand, I’m a
sci-fi/fantasy buff. I love the genre. It affords writers one of the broadest
mediums in which to tell their story. And while it’s true there’s a lot of material
out there I extend the benefit of the doubt in the name of all things geek, I
still don’t like putting up with crap. Talking of crap . . . in recent years,
I’ve started to get a gutful of the ever-expanding entity that is Marvel.
The world used to be simpler when I was a boy and
our superheroes came in comic book form. You ought to have seen my mint
condition library (Including both Marvel and DC): Superman. The X Men. The
Fantastic 4. The Silver Surfer. Spiderman. Thor. The Green Lantern. The Hulk.
Batman. The thing is, in those days, each hero could take on a life of their
own and evolve. They had the time and the spectrum to establish their own
unique footprints in a superhero crowded universe and stand out.
Nowadays, you can’t turn on a TV or go to the cinema
without something Marvel–ous being thrown at you. And all that history gets
condensed down into two and a half hours long force-feeding bonanza . . . with
the statutory appearance by Stan Lee thrown in.
Needless to say, quality suffers–as evidenced by the
countless reboots. So it’s put me off seeing some of the latest
offerings–Infinity Wars included–for some time.
At my son’s
insistence, I finally got around to it, and . . . ?
We have to accept the
Disney-Marvel combination for what it is. A behemoth engineered for variety and
inclusiveness, within a set of very distinctive parameters. They aim to please
everybody, and if we don’t like it . . . well, tough!
So, I tried to pick
through that. I put up with the predictable ‘Bang – crash – wallop’ action
scenes sprinkled with witty, politically correct dialogue and exposition, and
tried to see why my son might think I’d enjoy this latest in a long line of
outings.
As most of you know,
the premise of the film centers on the character of Thanos, a guy who wants to
wipe out half the life in the universe.
Whoa!
Hold your horses matey! Why on earth would anyone want to do that?
Well, there’s a lot of back story you
won’t know. So take a deep breath . . . I shall be brief:
Thanos is a Titan, the son of the
Eternals, Mentor and Sui-San. Due to his complex heritage, he carries what’s
termed, the “Deviant gene’ within him, and during his adolescence, became
fascinated by nihilism and death, actually falling in love with a physical
embodiment of death, “Mistress Death.”
Basically – and this cuts a lot of
history down – he wants to prove his love for death by the aforementioned mass
culling, reasoning it will give the universe a fresh start. He holds an
advantage in this regard, because he is able to augment his great physical
strength and power through advanced scientific knowledge. He starts with his
own race, wiping millions out, before expanding his conquest into the universe
at large. To help him fulfill his quest, he needs to collect the infinity gems.
With me so far?
Of course, the Avengers and Co all set
out to stop him, with the aforementioned “Bang –
crash – wallop” I mentioned. (I’ll leave those aspects to you, the viewer, because
the visual effects are stunning and stupendous to behold).
Don’t get me wrong,
some of it is entertaining. I especially loved Thor’s dialogue / relationship
with Rocket Raccoon who he insists on calling Rabbit. (Superb).
But the Avengers and
friends have their work cut out.
If you knew the
back-story, you’d know Thanos is virtually unstoppable. He not only possesses abilities common to the Eternals, they’re amplified to a higher
degree through a combination of his mutant–Eternal heritage, bionic
amplification, mysticism, and power bestowed by the abstract entity, Death. He
has superhuman strength, speed, stamina, immortality and invulnerability, can
absorb and project vast quantities of cosmic energy, and is capable
of telekinesis and telepathy. He can manipulate matter and live
indefinitely without food, air or water, cannot die of old age, is immune to
all terrestrial diseases, and has high resistance to psychic assaults. Thanos
is also an accomplished hand-to-hand combatant, having been trained in the art
of war on Titan.
Basically, he’s a supergenius
in virtually all known fields of advanced science and has created technology
far exceeding that which is found on Earth.
But the Avenger’s and friends try and stop him anyway –
and fail!
And THAT’s what really appealed to me about this film.
Not only do our heroes get their asses handed to them on a plate, many of them
die when they are effaced from existence. (Oh yes, did I say spoiler alert?)
Here you go – SPOILER ALERT!
The thing is, Thanos doesn’t sing and dance about it. Oh
no! At the end, we see him rest from his labors in an isolated, reflective and
melancholy mood, for his victory has cost him dearly, at a profoundly deep and
personal level. And that was one of the best ‘chill
up the spine moments’ I’ve seen in a long time.
If only Marvel would incorporate that
sort of intensity into their films more often, the superhero world would be a
better place.
Of course, there’s still part 2 to come.
(A more in-depth review will follow soon in Amazing Stories)
(A more in-depth review will follow soon in Amazing Stories)
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