This Week's Reviews on...
Cruiser Dreams
Following on from Dream Dancer, Cruiser Dreams explores the continuing
story of Shebat – Earth brat, outsider, and adoptive daughter and heir to the
Kerrion Empire – and of the ongoing struggle she endures in the face of
familial backbiting, intergalactic political intrigue and cosmos spanning dynastic
aspirations.
But as we soon discover, it’s also a
story about perspective: about embracing change or welcoming stagnation; choosing
right or wrong; promoting rejection or acceptance. It’s a story where what “is”
needs to be recognized, while what “might be” must still be brought into being.
Cruiserkind is evolving into more –
much more – than the sum of their component parts and supremely advanced AI.
The addition of the human mind and its freedom to express itself in any way it
desires adds a hitherto unknown dynamic to the greater holistic “self” enjoyed
by/between the ships that draws them into an entirely new narrative. One that encompasses
a symphonic unity ushering them toward a higher and more complete kind of
“being” than ever before.
But how to tread the minefield of this
dawning new age?
Employing richly descriptive and
meaningful prose, Morris is able to encompass a depth of understanding and
expression that allows the reader to explore – and then savor – the full nuance
of the symbiosis experienced by those brave pilots risking insanity, and their
increasingly sophisticated, near sentient ships, and how that burgeoning
relationship almost brings an empire to its knees.
Ethical and philosophical dilemmas
abound. Is loyalty and love enough to win the day?
Find out in a superbly entertaining space
opera that is as astute in its insight as it is disturbing
Upgrade:
Directed by Leigh Whannell, the screenwriter
who co-created the Saw and Insidious, Upgrade
is new science-fiction cyber-punk thriller about how to exact bloody revenge
with cybernetic implants.
The premise:
Imagine an existence where everything – from
people to houses - is fully integrated into an artificial intelligence run
digital net. Enter Grey Trace, played by Logan
Marshall Green, an unapologetic stick-in-the-mud who ekes out a living by repairing and restoring muscle cars for the rich
and famous). He’s the kinda guy who when his wife Asha (Melanie Vallejo) suggests they
order a pizza, suggests they make it themselves from scratch instead.
Asha works for a company that makes advanced
prosthetics for combat veterans. Their worlds are far apart, but she means the
world to Grey. Or she does until the
moment she’s shot in the head by a group of anonymous mercenaries who leave Trace
paralyzed and without a clue as to their motive.
Three month after the attack, Grey goes home to
an entirely different situation. This once proud “hands-on” man is incapable of
doing anything for himself and is completely at the mercy of techno-nurses to
cater to his every whim . . . a living nightmare. Especially as the police
haven’t managed to get any further in the hunt for his wife’s killers.
However, it appears good fortune is about to
shine on Grey’s gloomy world. It just so happens his last job was for a reclusive technological genius named Eron
(Harrison Gilbertson). Eron has a brand new invention: STEM, a cybernetic
implant capable of reconnecting the nerves in Grey’s spine and – as Grey is shocked
to discover – can not only speak directly into his brain, but enhance his
autonomous and motor functions as well.
Alas, Grey has to be careful. Nobody can know
he got this technology inside him. And it’s here that Upgrade starts to turn
dark. You see, Logan Marshall Green portrays a man who has sunk into a pit of
despair remarkably well. You really do feel for him as he seethes in a pit of
boiling rage at his helplessness to do anything to right a terrible wrong. It’s
no wonder, then, that he succumbs to the lure of what Stem’s other enhancements can offer, by
accepting its help to hunt his wife’s assailants.
The thing is, once activated, Stem is capable
of acting independently of Grey’s will, and it goes on a martial arts ninja
rampage while Grey – who is a decent guy – can only watch, aghast, as people
are torn limb from limb in front of him by his own hands. Logan Marshall Green
sells this aspect perfectly, with just the right balance of grim satisfaction
at seeing the bad guys get it, and macabre repulsion at what he is capable of
doing to another human being. And the one liners . . . ? Outstanding!
Inevitably, things start to snowball away from Grey
and the noose tightens.
And that’s
when Whannell plays his trump card. Upgrade has the ending of a quality whodunnit, concluding
its narrative on a high, and catching you completely by surprise. I’m sure I’m
not the only one to think, “Did I really just see that?”
Bravo – an upgrade of a move to what’s out there
at the moment.
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