Friday, April 20, 2012
Monday, April 16, 2012
Ruby Lioness Press - A Quality Publisher and Growing Family.
http://rubylionesspress.com/
Check out what's happening on the above website.
Or - on Facebook/Twitter - Ruby Lioness Press
http://rubylionesspress.com/
Or - on Facebook/Twitter - Ruby Lioness Press
Friday, April 13, 2012
Find out more about short story projects:
Love Bite
A Fresh Start
Main Novels:
Guardian Angels - Book 1 of the Guardian Series - Coming August 2012
Guardians - Book 2 of the Guardian Series
And projects under development:
Fallen Angels - Book 3 of the Guardian Series
The Tale of Augustus - Book 1 of the Cambion Journals.
Looking forward to getting to know you better through the pages of my work...
I am pleased to announce my debut short story, "Fairy Tail" was published today by Ruby Lioness Press and will be available for your enjoyment within the next few days at Amazon.com
My thanks to everyone who made it possible and for encouraging me to try something different.
I hope you enjoy it...
Monday, April 9, 2012
Actually Getting It Down on Paper (Or Computer)
This will be a short entry because I can't really tell you what to do. I can only relate what I did, and I started to put things down only after acknowledging my strengths and admitting my weaknesses!
Sounds strange I know - BUT - unless you do that yourself, you might end up being your own worst enemy. Why? Well, like I said, I'll use my own personal example.
I'm a very focused and determined individual. Some might look on that as a "positive", especially when it comes to writings books. However, I also had to combat my impatience and when you're a motivated individual like me, you have to be careful.
In the past, if I had something that needed doing - believe me - it gone done! I'd start on whatever it was and keep going and going until I'd overcome all obstacles and it was finished. Even if I was exhausted at the end of it.
You can't do that if you're writing a book. The quality will suffer and all your preperation will go to waste. So, what did I do?
I channeled that focus and determination into finding the right routine for me.
I accepted the fact I can be impatient and that motivated me to adopt a working practice that made me think I was busy all the time. And THAT really helped the quality of my work.
Me? First thing in the morning I like to look through the public and social sites. See who's doing what and where. What's current? What trends are developing? How will that affect future projects.
I take a break, train, shower, have breakfast etc, and by 9.00am I'm sat down ready to write And I DO write, using my pre-prepared guide notes and research as a blueprint. Don't get me wrong, the story evolves in its own way too, but I'm free between the hours of 9.00am - 1 or 2.00pm every day to write and make my creation grow.
I obviously take breaks during that time, as if you allow yourself to get tired, your story will reflect your jaded and worn out frame of mind. When I take those breaks, I make sure I get away from the screen. It's good to refresh the mind.
After 2.00pm I make a point of doing something entirely different, my Greek Language or Dancing Lessons, sports, reading a book, drawing, watch TV - whatever. So long as it's different.
Then, during the early evening, from about 4 - 6 or later evening 7 - 9 (dependent on my other lessons/passtimes etc) I take another look at my socual/public sites and do some research.
Usually, it's in preparation for what I'm going to be writing the next day. Sometimes, I check up or add depth to what I've already written.
Remember - when you add depth and substance - it reflects throughout your manuscript. I find this quite refreshing - not like work at all - but still limit myself to a couple of hours at the most.
Sometimes, I research and prepare new projects! (Wait and see - I've got some absolute gems coming your way).
Now - some of you wouldn't touch this routine with a big stick. Others might relate to it. but that's the point. It isn't YOUR routine, it's mine! It works for me and keeps me raring to go and itching to write.
And THAT'S the hunger you want to experience. THAT's how you make you writing concept exciting and build your idea into a book people will want to read.
Next time - I finished writing my manuscript. What did I do as I neared the end? What did I do next?
This will be a short entry because I can't really tell you what to do. I can only relate what I did, and I started to put things down only after acknowledging my strengths and admitting my weaknesses!
Sounds strange I know - BUT - unless you do that yourself, you might end up being your own worst enemy. Why? Well, like I said, I'll use my own personal example.
I'm a very focused and determined individual. Some might look on that as a "positive", especially when it comes to writings books. However, I also had to combat my impatience and when you're a motivated individual like me, you have to be careful.
In the past, if I had something that needed doing - believe me - it gone done! I'd start on whatever it was and keep going and going until I'd overcome all obstacles and it was finished. Even if I was exhausted at the end of it.
You can't do that if you're writing a book. The quality will suffer and all your preperation will go to waste. So, what did I do?
I channeled that focus and determination into finding the right routine for me.
I accepted the fact I can be impatient and that motivated me to adopt a working practice that made me think I was busy all the time. And THAT really helped the quality of my work.
Me? First thing in the morning I like to look through the public and social sites. See who's doing what and where. What's current? What trends are developing? How will that affect future projects.
I take a break, train, shower, have breakfast etc, and by 9.00am I'm sat down ready to write And I DO write, using my pre-prepared guide notes and research as a blueprint. Don't get me wrong, the story evolves in its own way too, but I'm free between the hours of 9.00am - 1 or 2.00pm every day to write and make my creation grow.
I obviously take breaks during that time, as if you allow yourself to get tired, your story will reflect your jaded and worn out frame of mind. When I take those breaks, I make sure I get away from the screen. It's good to refresh the mind.
After 2.00pm I make a point of doing something entirely different, my Greek Language or Dancing Lessons, sports, reading a book, drawing, watch TV - whatever. So long as it's different.
Then, during the early evening, from about 4 - 6 or later evening 7 - 9 (dependent on my other lessons/passtimes etc) I take another look at my socual/public sites and do some research.
Usually, it's in preparation for what I'm going to be writing the next day. Sometimes, I check up or add depth to what I've already written.
Remember - when you add depth and substance - it reflects throughout your manuscript. I find this quite refreshing - not like work at all - but still limit myself to a couple of hours at the most.
Sometimes, I research and prepare new projects! (Wait and see - I've got some absolute gems coming your way).
Now - some of you wouldn't touch this routine with a big stick. Others might relate to it. but that's the point. It isn't YOUR routine, it's mine! It works for me and keeps me raring to go and itching to write.
Next time - I finished writing my manuscript. What did I do as I neared the end? What did I do next?
Tuesday, April 3, 2012
Following a Blueprint
You can't wait to get writing! But before you do, make sure you have an outline to follow, a blueprint, or as I sometimes like to call it, a skeleton.
The skeleton provides the framework on which you will "hang" your story - beefing out your concept into an evolving living entity. Your story, if properly constructed will add the muscles, sinews and organs, skin and distinguishing characteristics.
This will involve combining your plot - your characters and how they evolve - the villains - their interaction - the history of how they got there - where they are going, etc, etc. Of course, part of my process involved the Guardians themselves!
We know how I devised the concept - but when it came to the story itself, I had to think: Why are they so concerned about society? What are their motives and purposes? When they do introduce themselves, how far is their influence going to go?
How does this fit into where "I" want to go? What's the beginning of my story? Where and how does it eventually end? What main bodyparts do I have to traverse to get from the feet to the head?
Yes - what route will I follow along the blueprint to set out in the first place and then reach the end?
I mapped out the Guardians story in a simple chain.
I discovered there would be six main steps to get from one end to the other.
However, those steps would cover a considerable time, and that might involve making the books too huge to be considered. So, I split the six steps into two main parts - two trilogies if you like.
The first part would cover the initial introduction of the Guardians into society and all the hurdles and challenges they would have to overcome - as well as the villains they would have to contend with - while the second part would......? Ah - you'll have to wait and see! ha ha.
Having done this, I then had to think how I could make it interesting.
I'm an avid science fiction/fantasy reader. But I don't read just anything! I like quality work. And believe me, I was around when the Sci-fi/fantasy genre exploded onto the scene and became a major industry.
I quickly saw you had to be careful what you spent your money on, as sadly, in the early days, alot of rubbish managed to slip through.
Fortunately, there were some quality writers. Myself, I followed Stephen R Donaldson, Terry Brooks, Ursula K Le Guin. As time went by, I found Julian May, then Raymond E Feist, Trudy Canavan.
Looking at their styles, some followed a simple format: A - B - C - D etc, etc. gradually evolving the storyline and characters.
Others mixed it up a bit! A - C - B - D is perhaps the best way to describe it. They introduced the story, gave you some history, then developed the plot, giving a hint about the future. Then - you went back in time! It added great depth to what you had already read. It helped you understand the characters better - who they were - why they were like that, etc. Then it might jump forward - showing how things were - then you went "in between" to see how you got from A to C.
Sounds complicated, but when it's done well - Wow! It keeps you hooked and really helps you appreciate the depth of the story and it's characters.
I wanted my story to be more than just a story. I wanted an outline that people could relate to, see themselves in, become part of. I wanted my characters to be "real". Someone you could imagine as a friend, an enemy, someone you'd absolutely hate in real life and wish you were part of the story so you could be there to get rid of them!
I wanted the development of the story to grab you, and hold you - but - keep you guessing too.
So - although it took alot of planning - I mixed it up a bit. (As you will hopefully see).
That way, I added a real depth - not just to the story - but to my characters, giving them an internal and external storyline, a history with twists and turns that comes out as the story progresses.
AND
As I did this - I made them "real" in my mind.
That's important. If they're not real to you - how are you going to convince your readers?
That's why I developed a very detailed uniform, rank structure, training program etc etc for each and every Guardian from the word "GO".
They have an emblem - a training academy - operations centers and stations. They have a "life".
Appreciating this helped me to become immersed in their world at the "Blueprint" stage.
And now - I was ready to write.
But that's for next time -
Are you ready to meet the Guardians?
You can't wait to get writing! But before you do, make sure you have an outline to follow, a blueprint, or as I sometimes like to call it, a skeleton.
The skeleton provides the framework on which you will "hang" your story - beefing out your concept into an evolving living entity. Your story, if properly constructed will add the muscles, sinews and organs, skin and distinguishing characteristics.
This will involve combining your plot - your characters and how they evolve - the villains - their interaction - the history of how they got there - where they are going, etc, etc. Of course, part of my process involved the Guardians themselves!
We know how I devised the concept - but when it came to the story itself, I had to think: Why are they so concerned about society? What are their motives and purposes? When they do introduce themselves, how far is their influence going to go?
How does this fit into where "I" want to go? What's the beginning of my story? Where and how does it eventually end? What main bodyparts do I have to traverse to get from the feet to the head?
Yes - what route will I follow along the blueprint to set out in the first place and then reach the end?
I mapped out the Guardians story in a simple chain.
I discovered there would be six main steps to get from one end to the other.
However, those steps would cover a considerable time, and that might involve making the books too huge to be considered. So, I split the six steps into two main parts - two trilogies if you like.
The first part would cover the initial introduction of the Guardians into society and all the hurdles and challenges they would have to overcome - as well as the villains they would have to contend with - while the second part would......? Ah - you'll have to wait and see! ha ha.
Having done this, I then had to think how I could make it interesting.
I'm an avid science fiction/fantasy reader. But I don't read just anything! I like quality work. And believe me, I was around when the Sci-fi/fantasy genre exploded onto the scene and became a major industry.
I quickly saw you had to be careful what you spent your money on, as sadly, in the early days, alot of rubbish managed to slip through.
Fortunately, there were some quality writers. Myself, I followed Stephen R Donaldson, Terry Brooks, Ursula K Le Guin. As time went by, I found Julian May, then Raymond E Feist, Trudy Canavan.
Looking at their styles, some followed a simple format: A - B - C - D etc, etc. gradually evolving the storyline and characters.
Others mixed it up a bit! A - C - B - D is perhaps the best way to describe it. They introduced the story, gave you some history, then developed the plot, giving a hint about the future. Then - you went back in time! It added great depth to what you had already read. It helped you understand the characters better - who they were - why they were like that, etc. Then it might jump forward - showing how things were - then you went "in between" to see how you got from A to C.
Sounds complicated, but when it's done well - Wow! It keeps you hooked and really helps you appreciate the depth of the story and it's characters.
I wanted my story to be more than just a story. I wanted an outline that people could relate to, see themselves in, become part of. I wanted my characters to be "real". Someone you could imagine as a friend, an enemy, someone you'd absolutely hate in real life and wish you were part of the story so you could be there to get rid of them!
I wanted the development of the story to grab you, and hold you - but - keep you guessing too.
So - although it took alot of planning - I mixed it up a bit. (As you will hopefully see).
That way, I added a real depth - not just to the story - but to my characters, giving them an internal and external storyline, a history with twists and turns that comes out as the story progresses.
AND
As I did this - I made them "real" in my mind.
That's important. If they're not real to you - how are you going to convince your readers?
That's why I developed a very detailed uniform, rank structure, training program etc etc for each and every Guardian from the word "GO".
They have an emblem - a training academy - operations centers and stations. They have a "life".
Appreciating this helped me to become immersed in their world at the "Blueprint" stage.
And now - I was ready to write.
Are you ready to meet the Guardians?
Thursday, March 29, 2012
Breathing Life Into Your Project.
I have always believed in a simple concept. If you are going to do something, do it right - do it well!
You're going to devote alot of time and energy to a huge project. So you do not want to waste time, or find yourself running out of steam part-way through.
So preperation is the key.
Okay, so I had my concept. I would be writing about a Global Emergency Service. They would have futuristic technology and special powers. (A kind of blend between Thunderbirds and the X-Men).
Right.
Questions: What do the emergency services actually do? For me, part of that was easy, I had served in the military and police - I knew the dynamics involved of attending various emergencies and what you have to think about for specific incidents.
BUT - I had only observed the Fire Service at work - I had only observed the more advanced applications of Emergency Medical Care. I needed to find out HOW they responded to certain incidents and WHY. What did they have to consider? What were the difficulties and hazards they had to contend with.
That took a while - to gain certain operating procedures - (But it was worth it later).
Okay - How would I now stretch those operating procedures into a futuristic organisation? What equipment would they have? What could it do? What was its limitations?
If I touch on areas of science and medicine and mechanics - what is our current level of understanding? What is currently being developed? How can I "logically" stretch that into a futuristic concept and "keep it real"? How can I make the theoretical aspect become accepted as the norm in the story?
Then of course, I have to add in their special abilities!
What abilities would they have? How do they get them? How do they develop? What are the limitations of each ability? How can the "user" strengthen the abilities they have? How would they be trained?
Talking of training...
What training regimen would have to take place to qualify someone as a "Guardian".
How many years? What would they learn? When? Where? How would you blend the physical side with the psychic - and add in the enhanced education required to operate futuristic technology?
Do you see the planning I had to do? And I was nowhere near the writing stage yet!
Having got this far, I had to be realistic. If the Guardians were too "super-duper" they would be boring!
Oh, a meteor is threatening earth. Yeah, done that, next! Oh, a passenger jet is crashing - yawn, fixed it! B-O-R-I-N-G.
So, I had to ensure they had "realistic" strengths and weaknesses and an operating procedure that is based on sound principles. It would make them fantastic - but "fallible" too. They could be beaten.
But this presented another hurdle.
Okay, I've got this global emergencyservice who are raring to go...BUT
How would I introduce them into society? When would I do it? What have they been doing up intil now? Where? What is their history? How did they start? Just how did the 1st Guardian come about?
See the problem? - So it required yet more planning to give them their own genesis and history.
Combining all these things together with all the notes and idea's I had put together over the years added a necessary depth to my concept that breathed life into it. It was hard work - but it was essential.
Then I was almost ready to begin writingI had my concept - the foundations were in place - what blueprint would I follow? Ah - a blueprint. We shall look at that next time.
+
I have always believed in a simple concept. If you are going to do something, do it right - do it well!
You're going to devote alot of time and energy to a huge project. So you do not want to waste time, or find yourself running out of steam part-way through.
So preperation is the key.
Okay, so I had my concept. I would be writing about a Global Emergency Service. They would have futuristic technology and special powers. (A kind of blend between Thunderbirds and the X-Men).
Right.
Questions: What do the emergency services actually do? For me, part of that was easy, I had served in the military and police - I knew the dynamics involved of attending various emergencies and what you have to think about for specific incidents.
BUT - I had only observed the Fire Service at work - I had only observed the more advanced applications of Emergency Medical Care. I needed to find out HOW they responded to certain incidents and WHY. What did they have to consider? What were the difficulties and hazards they had to contend with.
That took a while - to gain certain operating procedures - (But it was worth it later).
Okay - How would I now stretch those operating procedures into a futuristic organisation? What equipment would they have? What could it do? What was its limitations?
If I touch on areas of science and medicine and mechanics - what is our current level of understanding? What is currently being developed? How can I "logically" stretch that into a futuristic concept and "keep it real"? How can I make the theoretical aspect become accepted as the norm in the story?
Then of course, I have to add in their special abilities!
What abilities would they have? How do they get them? How do they develop? What are the limitations of each ability? How can the "user" strengthen the abilities they have? How would they be trained?
Talking of training...
What training regimen would have to take place to qualify someone as a "Guardian".
How many years? What would they learn? When? Where? How would you blend the physical side with the psychic - and add in the enhanced education required to operate futuristic technology?
Do you see the planning I had to do? And I was nowhere near the writing stage yet!
Having got this far, I had to be realistic. If the Guardians were too "super-duper" they would be boring!
Oh, a meteor is threatening earth. Yeah, done that, next! Oh, a passenger jet is crashing - yawn, fixed it! B-O-R-I-N-G.
So, I had to ensure they had "realistic" strengths and weaknesses and an operating procedure that is based on sound principles. It would make them fantastic - but "fallible" too. They could be beaten.
But this presented another hurdle.
Okay, I've got this global emergencyservice who are raring to go...BUT
How would I introduce them into society? When would I do it? What have they been doing up intil now? Where? What is their history? How did they start? Just how did the 1st Guardian come about?
See the problem? - So it required yet more planning to give them their own genesis and history.
Combining all these things together with all the notes and idea's I had put together over the years added a necessary depth to my concept that breathed life into it. It was hard work - but it was essential.
Then I was almost ready to begin writingI had my concept - the foundations were in place - what blueprint would I follow? Ah - a blueprint. We shall look at that next time.
+
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