The Beast From Beyond
The Beast From Beyond
I don’t know about you, but I’m attracted to stories that stand out as unique. And while I do have a preference – you know, a style, a theme and a genre that I always seem attracted to – I also like to keep my eye open for those examples that differ from the norm.
And ‘different’ is what you
get with Sam Phillips’ The Beast From
Beyond, Book 1 of the Dead Sun Chronicles.
Here’s the blurb:
******
The sun is
dying and with it the Earth. Ryon Barker is a young man aboard a ship fleeing into
the unknown abyss of space, but where exactly are they heading?
Inter-dimensional demons lurk in the shadows beyond reality, waiting to guide
Ryon and the ship towards a horrifying destiny no one is prepared to confront.
As the Beast looms in his waking nightmares and terrifying visions haunt his
fevered mind, Ryon must navigate his parent’s high expectations for his future
while living up to his own hopes for love and purpose.
But how will he overcome the cosmic forces which
seek to use him as a pawn in a game bigger than reality itself?
******
Our story develops from the
perspective of Ryon Barker. A young man who, for all the wrong reasons, stands
out from the rest of the crew. His mother just so happens to be the ship’s
captain. His father is the chief medical officer. And Ryon himself? He’s
something of a social misfit who doesn’t fit in. He’s ‘complicated’ and has a
tendency to avoid everyday challenges by overanalyzing everything and
procrastinating. This makes him come across as an obstinate whiner. Don’t get
me wrong, he has a small circle of friends. But even they are irritated by his
attitude, because, instead of making any attempt to integrate himself into the
sterile environment and routine aboard the ship, Ryon holds them at arm’s
length, preferring the solitude of the engine room over the company of friends.
And that’s a problem, because
the engine room is where the void drive is housed, a physics-warping dynamo
that wreaks havoc on human physiology. As you can imagine, Ryon soon falls ill,
and succumbs to a malady that is more like an invasive infection that exotic
radiation poisoning.
An apt analogy, for as the
infection spreads, Ryon finds himself able to peer through the veil separating
the real world from what lies beyond/within/without, making him question his
grasp on reality, and reminding us of an old adage: when you gaze long into the
abyss. The abyss gazes also into you . . .
Only in this case, it speaks!
Eerie, insidious stuff.
I will admit that it took me
a while to adapt to Phillip’s writing style, but once I had, I was able to
progress at a comfy pace and relate to how the story arc was developing. And it
develops well, containing insidious, classic sci-fi elements that help reveal
what’s going on inside Ryon’s head as much as it lays the foundations for
what’s to come. And I get the feeling the crew of this ship had better hold on.
Spacefaring spookiness.
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