There's No Chance of Slowing Down For. . .
Velocity Weapon
As my followers know, there
are few things I like better than an ‘unconventional’ space opera. You know;
stories that span the galaxy in scope, and yet manage to hang on to those
old-fashioned values that make us what we are. Human(ish). And in Velocity Weapon by Megan E. O’Keefe, you
get exactly that. . .
Though the blurb doesn’t give
much away:
**********
The last
thing Sanda remembers is her gunship exploding.
She expected to be recovered by salvage-medics
and to awaken in friendly hands, patched-up and ready to rejoin the fight.
Instead she wakes up 230 years later, on a deserted enemy starship called The
Light of Berossus - or, as he prefers to call himself, 'Bero'.
Bero tells Sanda the war is lost. That the
entire star system is dead.
But is that the full story? After all, in the
vastness of space, anything is possible . . .
**********
As usual, I’m going to be
very careful about giving anything away regarding plot development. I’ll leave
that to O’Keefe and her story. But what I will reveal is that she lays out the
threads of her story so that it can be told from three main perspectives. Then,
as events unfurl, you’ll see how she begins to tighten those threads until it
begins to knot into a coherent whole. (Remember that, because this first book
is just the beginning of something special).
And it’s cleverly done, we’re
not only introduced to an intergalactic society set in the far distant future,
but we also see how humanity remains divided by the same old hang-ups we’ve
always had.
There’s interplanetary
political intrigue aplenty. Forbidden tech in the wrong/right hands. Hidden
subtext. Space action and hi-jinks. Sound world building and character
development, where the theme of familial ties and loyalty abounds. And it’s all
delivered in a beautifully crafted, superbly executed and down to earth way
that gets you involved from the outset.
I thoroughly enjoyed it. And
for me, what I particularly liked was the way O’Keefe leads you along a
particular path, only to trip you up with an unexpected plot-twist. And then
another. AND another! (It really is that good).
Buuut that’s not all. As the
plot thickens and certain revelations are made and laid to rest, she also
manages to sow the seeds of future developments that you know will be addressed
in later books. And THAT’s good storytelling. Because with something this
complex, it takes time to tell the story properly. And I really appreciate the
author who doesn’t rush, allows the story to set its own pace, and teases you
with even more diabolical machinations to come.
Excellent stuff! I can’t wait
to see what happens . . . and really, isn’t that the reaction every author
should try to elicit from their readers?
No comments:
Post a Comment