Thursday, March 23, 2023

 There's No Chance of Slowing Down For. . .



Velocity Weapon

As my followers know, there are few things I like better than an ‘unconventional’ space opera. You know; stories that span the galaxy in scope, and yet manage to hang on to those old-fashioned values that make us what we are. Human(ish). And in Velocity Weapon by Megan E. O’Keefe, you get exactly that. . .

Though the blurb doesn’t give much away:

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The last thing Sanda remembers is her gunship exploding.

She expected to be recovered by salvage-medics and to awaken in friendly hands, patched-up and ready to rejoin the fight. Instead she wakes up 230 years later, on a deserted enemy starship called The Light of Berossus - or, as he prefers to call himself, 'Bero'.

Bero tells Sanda the war is lost. That the entire star system is dead.

But is that the full story? After all, in the vastness of space, anything is possible . . .

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As usual, I’m going to be very careful about giving anything away regarding plot development. I’ll leave that to O’Keefe and her story. But what I will reveal is that she lays out the threads of her story so that it can be told from three main perspectives. Then, as events unfurl, you’ll see how she begins to tighten those threads until it begins to knot into a coherent whole. (Remember that, because this first book is just the beginning of something special).

And it’s cleverly done, we’re not only introduced to an intergalactic society set in the far distant future, but we also see how humanity remains divided by the same old hang-ups we’ve always had.

There’s interplanetary political intrigue aplenty. Forbidden tech in the wrong/right hands. Hidden subtext. Space action and hi-jinks. Sound world building and character development, where the theme of familial ties and loyalty abounds. And it’s all delivered in a beautifully crafted, superbly executed and down to earth way that gets you involved from the outset.

I thoroughly enjoyed it. And for me, what I particularly liked was the way O’Keefe leads you along a particular path, only to trip you up with an unexpected plot-twist. And then another. AND another! (It really is that good).

Buuut that’s not all. As the plot thickens and certain revelations are made and laid to rest, she also manages to sow the seeds of future developments that you know will be addressed in later books. And THAT’s good storytelling. Because with something this complex, it takes time to tell the story properly. And I really appreciate the author who doesn’t rush, allows the story to set its own pace, and teases you with even more diabolical machinations to come.

Excellent stuff! I can’t wait to see what happens . . . and really, isn’t that the reaction every author should try to elicit from their readers?



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