Saturday, March 13, 2021

 My Review of. . .
Demon in White





Demon in White

I’ve been itching to get to Demon in White, the third installment of the Sun Eater Sequence, as it’s been a journey of discovery, following along as Hadrian Marlowe, the young man who wanted nothing more than to travel the stars in search of knowledge and peace becomes the tyrant the galaxy needs.

Here’s a hint of what’s in store from the cover blurb:

**********

Hadrian and his Red Company have been serving the Empire in military engagements against the Cielcin, the vicious alien civilization bent on humanity's destruction. And they've been successful: a cult-like fervor building around Hadrian following a particularly impressive victory. But popularity comes at a price: an assassination attempt, triggered by those within the Imperial government who are scared of his rise to prominence.

Now the Empire has turned dangerous, Hadrian and his crew leave to pursue his true interest: a search for a long-rumored connection between the first Emperor and the Quiet: the ancient, seemingly long-dead race. And he will find the next key to unlocking their secrets in a massive library on a distant world.

The coordinates for their origin planet.

A planet that no longer holds life, but may still contain answers.

**********

Now the scene is set, what did I think?

Awesome! Absolutely awesome.

And it has to be at close to 750 pages long. But this is the thing. Although Demon in White covers the sweeping vista of a number of planets spread throughout the immense expanse of a galactic empire, it doesn’t lose the personal touch. The story keeps its center by concentrating on Hadrian Marlowe’s transition from hero to legend. And from legend to virtual godhood in the eyes of the people that follow him.

And therein lies the rub.

If there’s one thing you need to understand about heroes, it’s that there’s no room for them in the Empire. For heroes build a reputation of invincibility, and such reputations attract the worst kind of sedition: Followers. Zealots who believe more in the object of their fervor than Caesar himself. And the Emperor mustn’t be challenged, for he is jealous of his rule and the Chantry are ever willing and able to make an example of those who fail to tow the party line.

Yes, Hadrian Marlowe learns to his cost the consequences of victory.

His rank, his success, his devotion – to duty and uncovering the truth about ancient beings both vast and incomprehensible – has ramifications he couldn’t possibly have imagined. And not only does he end up fighting against an evil from beyond the veil of time; not only must he contend against the worst and most powerful of the Cielcin overlords, but he must fend off multiple death threats from members of the royal family, the government and the Chantry, all of who want to see him dead.

As I noted at the outset, this is an awesomely epic extravaganza of far future science fiction. The pace is well judged throughout; the battle scenes precise, bloody and brutal; the gradual reveal of just what it is behind the events taking place, mind bogglingly spectacular; and the story arc, superb.

And THAT’s what I’ve really enjoyed about this series. As I mentioned in my review of Empire of Silence and Howling Dark, this far-fling operatic production carries all the scope of Frank Herbert’s, Dune; The scale of Arthur C. Clarkes, 2001: A Space Odyssey; and the poignancy of Barry B. Longyear’s, Enemy Mine. It’s huge. Yet Christopher Rucchio has managed to avoid wasting time with ‘filler material.’ Everything you read is relevant, and one of the best metaphysical journeys you will ever take in the discovery of the past, present and future of the human race.

Do yourself a favor, and enlist in the Red Company!





No comments:

Post a Comment