Hot off the Press
My First Review of 2021
The Burning God
As I come to the end of this
ambitious trilogy, I think it only fitting to share a little reminder of what
has gone before. Here’s the blurb from the inside cover:
*******
After saving her nation of Nikan
from foreign invaders and battling the evil Empress Su Daji in a brutal civil
war, Fang Runin was betrayed by allies and left for dead.
Despite her losses, Rin hasn’t
given up on those for whom she has sacrificed so much – the people of the
southern provinces and especially Tikany, the village that is her home.
Returning to her roots, Rin meets difficult challenges – and unexpected
opportunities. While her new allies in the Southern Coalition leadership are
sly and untrustworthy, Rin quickly realizes that the real power in Nikan lies
with the millions of common people who thirst for vengeance and revere her as a
goddess of salvation.
Backed by the masses and her
Southern Army, Rin will use every weapon to defeat the Dragon Republic, the
colonizing Hesperians, and all who threaten the shamanic arts and their
practitioners.
As her power and influence grows, will she be strong
enough to resist the Phoenix’s voice, urging her to burn the world and
everything in it?
*******
That sets the scene nicely
for the review, as I’m determined NOT to slip up with any spoilers.
Rin’s journey has been long
and arduous. She started out as a despised orphan; became one of Sinegard’s
military elite; was bowled over by the discovery of her shamanic gifts;
horrified by the desolation she could unleash; devastated by her descent into
opium addiction; cast out as outlaw and renegade . . . until the tide appeared
to turn and she was lured into the service of a powerful warlord who uses her
talents to his own advantage, only to throw her to the wolves as an expendable
tool that has no place in the world he envisioned.
Yes, Rin’s life has been a
headlong plunge down the rapides, where every rise and fall, every submerged
rock and hidden whirlpool, every twist and turn has molded her into the person
she is now: a woman capable of rising in power and influence, but one who
fights a constant battle to retain her humanity. She’s experienced the power of
the Phoenix, and it is an addiction far deeper, far more insidious than
anything a poppy can produce. A stark and ever-present problem, seeing as how
she is so driven by vengeance. Thankfully, that yearning to burn everything
under creation is tempered by a small group of friends.
But for how long?
Kuang deftly incorporates
this dilemma into the very real pace of a countrywide war, fought over
difficult terrain. (And in this, she deserves a lot of credit).
War isn’t all blood n’ guts
and nonstop action and glory. It’s often long, boringly irritating and arduous.
Kuang deftly weaves this strange ebb and flow into the story arc to present us
with an incredibly accurate depiction of Rin’s war of attrition. There’s the
slow build up during long, grueling marches. A gathering of momentum. Repeated
anticlimaxes. Short, sharp bursts of activity when an actual battle erupts. The
adrenaline dump of the aftermath. The gradual realization of how little victory
can accomplish, especially when you’re trying to juggle an ever-expanding web
of logistical nightmares with the needs of a displaced or conquered community.
Yes, these riptides and countercurrents
are superbly portrayed, as Kuang manages to weave them into actual ancient
Chinese history, ethics, war strategy and politics. The end result being a
superbly challenging story that brings a truly operatic production to its
finale.
As ever, Kuang’s characters
are wholly believable and as tragically flawed as the folks you meet in real
life. Their strengths and weaknesses are utilized, to deliver a dark,
imaginative and brutally uncompromising story of what can happen to the best of
us when you try to fight a war on two fronts. (NO SPOILERS).
That’s why the ending is
inevitable. THAT’S why the ending is perfect.
Don’t miss The Burning God. It’s symphonic fantasy
at its best!
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