This Week's Review of. . .
Bright
Ruin
Under Lord Whittam Jardine’s rule, conditions in
Britain go from bad to much, much worse, and he goes out of his way to inflict
tyrannical penalties on those – gifted or not – who oppose him. Yet for all his
efforts, the call for revolution gains momentum and rebels resort to ever more
spectacular means to drive their message home.
Both sides refuse to compromise, leading to ugly,
well reported incidents they’d rather not be associated with.
Yet something stirs in the land; something ancient
and long forgotten, involving memories of a former time when a wonder king,
magically gifted, was thought to rule. Why? And why now? Is he a creature of
myth and legend, or does his reemergence into the hearts and minds of a special
few bode well for the future?
One thing’s for sure, the truth – when it’s revealed
– is cataclysmic, and will change the world forever.
Full of deliciously detailed historical parallels,
compelling characters and moral dilemmas, “Bright Ruin” is an absolutely superb
conclusion to a stunning series. You will immerse yourself in its pages and end
up rooting for your personal favorites. I know I did.
Split
M. Night Shyamalan is
renowned for his psychological thrillers
with a twist: The Sixth Sense; The Village; Unbreakable and Signs to name a
few. It’s what he does best . . . he keeps you guessing until the very last
minute, before pulling the rug out from under your feet.
Well, you’ll be glad to know
that in Split, Shyamalan is on top form.
The film follows the exploits
of James McAvoy in the character of Kevin, an odd-job worker who suffers from
dissociative personality disorder. You see, Kevin is also Barry, Dennis, Miss
Patricia, and nine-year old Hedwig, a rather charming little boy who has to
share his “time in the light” with twenty-three other personalities.
And not all of them are nice.
It would seem the obsessive-compulsive
Dennis and passive-aggressive Miss Patricia have staged a psychological coup in
order to prepare the way for ‘The Beast’, a brand new 24th identity with a fetishistic
hunger for innocent flesh. (Think Hannibal Lecter meets Mr. Hyde and you won’t
go far wrong). This helps you understand why the film begins with Dennis
kidnapping three teenage girls out from under the nose of one of their parents and
imprisoning them in a hidden lair until it’s time for them to appear on the
main menu.
Do the girls just give up and
die?
You’ll
see. But to highlight one of the trio
– Casey, superbly played by Anya Taylor-Joy – who’s clearly a loner with
gargantuan reserves of pluck hidden away behind those gothic layers of
dark-eyed vulnerability. Now she’s rather good fun to watch, and turns out to
be a dark knight in shining armor.
You might sense I’m beating
around the bush a bit?
You’d be right, as I’m being darned careful NOT to give
away too much of the plot. Needless to say, there’s an element of “is this 24th
character really as bad as the other personalities say he is? Can he actually
do the things they hint at?"
That’s the fun thing about a M. Night Shyamalan film. You won’t find out until the
very end. But boy oh boy, will it send chills down your spine.
I rather enjoyed this film and will gladly watch it again.
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