This Week's Reviews of. . .
Tarnished
City
Carrying on from the aftermath of Gilded Cage,
“Tarnished City” reveals how things take a turn for the worse after the
terrible events at the Jardine’s family estate at Kyneston.
Consigned to Millmoor slave town for a crime Luke
didn’t commit, his family must now suffer the full force of an unjust system
that sees them as nothing more than chattel to be used and disposed of as the
Skilled ruling elite see fit.
And nowhere more so is that imbalance exposed than
in Luke’s fate. Coerced into committing a murder he had no hope of preventing,
he is hung out to dry, condemned to a life sentence of imprisonment and foul
experimentation in one of the harshest places thought to exist. And the worst
thing of all is that there are those in power who can prove his innocence. But
what would be the point of that when the Jardine’s are out to serve their own
aspirations?
Yes, their insidious grip on power tightens with
each passing day.
What to do, then, in your darkest hour? Give up and
accept your fate or fight until the fighting done? As Luke and his sister, Abi,
are about to find out, nothing is as it seems. And your allies can be those
you’d least expect.
Imaginative; intelligent; barbaric and compelling.
“Tarnished City” is all this and more, revealing just how rocky the road to
liberty can be, and why you should never give up!
Russian Doll
Before I sat down to watch
this new series, I have to admit, I was preparing myself for a kind of
“Groundhog Day” reunion. I didn’t know what to expect . . . and boy, was I
surprised. This is far, far better than the film everyone keeps referring to.
Natasha Lyonne plays Nadia, a
chain-smoking, booze swilling, substance chuffing independent girl about town who’s
enjoying her 36th birthday party one moment, and rolling across the
bonnet of a taxi not fifteen minutes later when she’s killed for the first time.
She promptly regains
consciousness back at the party, and everything starts to unravel exactly as it
did before . . . or does it? (You get a clue from the title)
Nadia sets off again,
bewildered and disorientated and wondering what the hell is going on . . . then
BAM! She’s dead again. And we’re off, on an existential unmerry-go-round of her
trying to sort through whether or not she’s actually dead – and being punished
for something she did or didn’t do in life – or high on one of the many
substances she likes to abuse in a party environment.
Her subsequent deaths are
handled amazingly – and hilariously well (Those damned steps outside her
friend’s apartment proving a tremendous hurdle to relife and limb) and every
time she meets a grizzly end, something changes. Those changes are slight to
begin with, but as the episodes progress, the differences become much more
pronounced . . . as does the reason, explaining why the show is called,
“Russian Doll”. It peels back the layers surrounding Nadia, and helps you see
what went wrong in her life and how it’s scarred the way she avoids dealing
with certain problems.
She doesn’t have to endure
this nightmare alone, however. During an elevator plunge (a particularly
wonderful event, superbly presented) she meets Alan, someone else who, like
her, seems to be afflicted with his own version of the same cyclic dilemma.
Of course, they team up, and
what follows exemplifies the title even more, as each character has to strip away
the weight of their hang-ups to get at the root cause of their predicament.
(That’s all I’m going to say. I hate giving away plot points, and I’ve already
done too much of that).
But what I will emphasize is
that you get a great little show (each episode is only half hour long) where
each of the cast members interrelate in a manner that would normally indicate
they’ve known each other and all their little quirky foibles for years.
It’s brutal, it’s blunt, it’s
raunchy, it’s downright hilarious too, and thought-provokingly poignant (Just
wait until the part where Alan realizes why it is he’s stuck in the loop) – and
most of all, its great entertainment that’s refreshingly different from most of
the other shows out there.
Natasha Lyonne is one of the co creators of this show along with Amy Poehler and Leslye Headland. If this is indicative of their work, I want more :)
What a shame it came to an
end so quickly.
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