My Thoughts On. . .
Illusion
(Dark Musicals Book 5)
It’s been a while since I read any of Laura DeLuca’s work, the last time being the final book of the original “Dark Musicals”
series.
The first Dark Musicals are a clever play on genres. Think of a murder-mystery-whodunnit based around the theme of well known theatrical productions; in particular, “Phantom of the Opera”, “Sweeney Todd, the Demon Barber of Fleet Street”, “Jekyll and Hyde”, and “A Christmas Carol”.
What makes them more appealing is that each story
follows the lives of two high school sweethearts, Rebecca and Justyn as they
meet, fall in love, and grow into accomplished performers in their own right.
Of course, being a murder-mystery series, their life’s course is rather
eventful – and entertaining – to say the least, and helps you involve yourself
with the characters from the outset.
(I would recommend you try those earlier stories
before delving into “Illusions”, as it will allow you to appreciate what this
couple have been through together, and how they’ve ended up where they are.)
Now to the current book.
Rebecca and Justyn are married. Not only are they
Broadway stars in their own right, but their eight-year old son, Erik, is a
musical savant with prodigious talent. When they are invited to perform their new
show, “Phantom Returns”, in Australia, Erik joins them, using the occasion to
make his professional debut.
Alas, the rose-tinted tides of fate begin to stir,
throwing up warning signs that shouldn’t be ignored. For one, Erik suffers a
nightmare – something far more powerful and profound than a simple bad dream.
In it, he is snatched away from his mother and father. A premonition perhaps?
Lo and behold, the family arrives in Australia to
find a young boy has gone missing. What’s more, the bodies of women who have
been strangled to death are turning up in one place after another. Putting
these events down to unhappy coincidence, the Hope-Patko family forge ahead,
determined that the show must go on.
And it does, in the face of increasing danger that I
won’t reveal in detail here. After all, you need to read the story yourselves.
Suffice to say, you’ll be glad you did, for DeLuca skillfully entwines the
lives of Broadway’s favorite couple into the exploits of the characters they
play: betrayal and misunderstanding; sabotage and threats; revelations and
tragedy. It’s all there, and more, in an adventure that also weaves YOU into
the plot and holds you there until the final curtain falls.
An entertaining and enjoyable romp across the
boards. Don’t miss it.
Unbreakable
I first saw Unbreakable,
directed by M. Night Shyamalan, over ten years ago and thought I’d treat myself
again. The story is rather compelling, and revolves around the lives of two
men: David Dunn (Bruce Willis), a down-on-his-luck married man from
Philadelphia who, returning from a job interview in New York, becomes the sole
survivor of a devastating train crash; and Elijah Price (Samuel L. Jackson), a
rather obsessive, comic book oriented individual suffering from a condition
that makes his bones as fragile as glass, who contacts David and offers him a
rather wacky explanation as to why it is he survived.
The thing is, as far out as
Elijah’s theories are, they might just be right!
What we get is a superbly
presented buildup, where a modest, self-depreciating guy comes to a gradual
realization that – yes – he is different from other people. So different, that
what he can do, what he can achieve, are feats well beyond what might be
thought of as “normal”.
And the great thing about
this M. Night Shyamalan film is, we’re not inundated by your usual crop of
flashy, overly confident super heroes wearing figure-hugging suits. Oh no, our
guy hides his identity by slipping on a plain green poncho.
However, I jump the gun a
little, for the story arc is superbly crafted, tugging you along on the slow
slide toward an inevitable revelation. Then, just when you think you can
relax, you get an extra twist regarding a sickening link between the disaster
that started it all and Elijah himself.
An excellent film that –
despite its subject matter – is hauntingly believable. Treat yourself and see
it as soon as you can (and definitely before “Split” and “Glass”)